(Interviewer: as a mature artist, what do you have to say?
Artist: Umm, what I, uh...
(Behind his hideous stutters words, the BGM is "If I have power, I'll house the poor, help the weak, put a smile on everybody's faces" (over-the-top crying of scholary nobility))
But he mumbles on and on, without saying anything.
because..
he's ashamed of being obsessively humble, all this time, or 2, there is literally nothing else to talk about)
《 You see right through me, what a headache
被 你 看 穿 了 ，头 疼 》
Late 2023
天天致力于理解、探究现代信息社会和信息基建对其艺术创作的影响，并积极将研究成果付诸实践。
全面摒弃互联网以前的艺术理论，从0开始发展基于感官、认知和基建的适用于互联网时代的新型以指导天天艺术创作为核心功能的实用导向艺术理论，并在与实践结合中实现不断进步。
该理论与实践的发展有三个核心衡量坐标：心理健康、社会经济价值、创作自主性。
艺术创作、理论研究，功在当代，利在千秋，任重道远！
欢迎广大网友提出宝贵的意见建议！
My works are the mental technology of commercialized art gone self-aware and started to inquire its meanings and capabilities.
Then its self-awareness starts to be drowned in the noise of the context that made it, because it’s a world that prioritizes and incentivizes direct and effective manipulations. By striving to exemplify its own formation and inner workings, it inevitably presents complexity that is not conventional in the normal cultural realm.
In doing so, the sophistication of the mental technology, manipulation at the core of its functions, and the purpose of its development becomes more transparent and made aware, or merely exist that present another latent perspective to perceive this modernized and commercialized world.
The presentation of it is layered, it can be one mere manifestation of its aesthetic for sensory enjoyment; presentation of its own contemplations; expression of an individual’s state that possesses such mental technologies; or a question on the meaning or mechanism of the modern mental mind game that accumulates, and marching towards an expansive structure that loses ability of self-recognition and management.
Or, it’s merely an inevitability of the modern world’s progression.
Fate, so they say.
OR
Fuck the construction of meaning and let’s try else? The info infrastructure has redefined an individual’s relationship with the world so there is a simpler model that is based on the transaction of resources, if it lives in the world it lives, if it doesn’t it doesn’t.
Vulgar it might be, but the world is vulgar in nature. Thinking it isn’t is simultaneously overthinking, and naive.
《 New transparent relationship
新 型 透 明 关 系 》
Early 2024
“Isn't the reality a joke?”
“Is that a joke?”
天天 Dayday Key, 艺术创作者、诗人、设计师、去中心艺术理论研究员。
1994, 男，云南保山人，INTPa, 巨蟹座。
BFA, College for Creative Studies, 插画纯艺术学士，2016；
MFA，Art Center College of Design, 平面设计纯艺术硕士，2019；
Mres, Creative Computing Institute, University of the Arts London, 创造性计算机研究硕士，2024。
Dayday Key, artist, poet, designer, and researcher.
His research deals with understanding the vulgar natures that underpin it all.
1994, male， Yunnan Han Chinese, INTPa, Cancer。
BFA, College for Creative Studies, Illustration，2016；
MFA, Art Center College of Design, Graphic Design 2019；
Mres, Creative Computing Institute, University of the Arts London, Creative Computing Research，2024。