I'm Dayday Key,
welcome to my website,
which is a collection of
my art and design experiments.
After burned
three design textbooks
in the trash bin,
I came to realize,
it is possible to construct
such a website
without using any coding at all.
Glad,
the internet
brought you here.
在烧了三本设计课本之后，
我终于意识到建造这个网站实际上
不需要任何编程技巧。
感谢
互联网把你带到这里。
"Shit,
who read words?
干，
字这么多谁读啊?"
##<Numeric Garden 数 字 花 园 >
Mid 2019
UE4, Gravity Sketch
##<Censorship
屏 蔽 >
Late 2018
44*59cm
Photoshop
一次三维园艺的尝试，
直到我的显卡过热
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The figure is porcupined
with full of acupuncture needles,
but none of
the needles are on the acupoints.
Thus he drips blood
on the floor.
While he crawls forward with a horn in his hand,
into the horn
the sound of money.
!
## <Everyever Acupuncture 时 间 针 灸 >
Mid 2020
100*178cm
Photoshop, Illustrator
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"Acupuncture I know！
Saved my back
这个是针灸，我知道！
我的背就是针灸弄好的"
这幅画中的人物身上
插满了针灸使用的针，
而所有针都不在穴位上。
针孔流着血滴落在地板上。
他手举一个喇叭，
喇叭里是人民币的声音。
?
然后，
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Later,
I was persuaded by a friend to change
its name to "Sauce Dry"
because she worried some people
might not know the word "Crimson".
It then became a craft beer brand
because of the new name.
It then became a failed business attempt
during the epidemic.
Later,
I realize my friend was interested
in cooking but not fashion.
绛燥是我曾经想要做的中式 高端街头服装品牌，
在进行视觉设计时我尝试对
中国古典美术与哲学进行了
市井化的再理解。
后来被一位朋友说服改名“酱燥”
因为担忧有人不认识“绛”字。
而后由于已经改名“酱燥”
而进入了啤酒行业成为一次
在疫情中失败的生意尝试。
"Crimson Noise" was
the high-end Chinese streetwear brand I once wanted to create.
I wanted to bring traditional Chinese art
and philosophy to
modern street culture.
##<SauceDry the Beer Brand
酱 燥 牌 啤 酒>
Early 2019
##<Day Day Poems
天 天 诗 集 >
Early 2019-now
（On going）
后来
我时常
回想...
或许
过于绛字并不会成为
一个问题
Later
I often
regretfully ponder:
there probably isn't such a thing as
not knowing
the word "Crimson"
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"what a punk, poems?
Must be joking me
鬼迷日眼的，
这也叫诗？"
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##<Crimson Noise
Fashion Branding
绛 燥 时 装 品 牌 设 计 >
Early 2019
"Emm, a video!
Come on! load!
哇，一个视频，
快！加载！"
The Day Day Poems is
a collection of essays and poems inspired by
the Internet browsing experience.
It is full of interesting
useless contents and fake news. It constantly remind the readers
that it is an exciting book from
a catastrophic age of the information.
More poems in the bottom right "Archive" tap,
although they are untranslated.
天天诗集
是我自2016年左右
起的随笔、诗作的收集，
它的视觉风格取灵感自互联网冲浪体验，
充满了有趣的互动元素和假消息，
时刻提醒读者这是一本来自21世纪的令人激动的读物。
我预计将于2021年完成
它的内容和设计。
我的部分诗作收录在右下角的“文字”按钮里，
欢迎赏鉴：
##<腰上的毛病>
亲爱的我可能是个憨批
把语言当成儿戏
折成一片片飞刀
就要用力飙出去
但是挥手太猛
插在了脊椎里
搞得硬梆梆
弯都弯不下去
我是祁天天，
欢迎来到我的网站。
它是我从2016年以来的
艺术与设计实验品的合集。
An attempt of 3D gardening,
until my graphics card can't cool
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"me too!
我也是！"
"omg his poems are
so good, make me wanna jump ！
天天的 诗 好 棒呀，
我都要跳起来了！"
”How to
translate poems?
诗怎么翻译？"
##<Abusive Common: Experimental Branding
虐 玩 日 常 ：试 验 品 牌
2018
这些从网图中抠出来的角色，
用最假的表情给我们表演
在互联网社交时代我们的样子。
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##<Modern
Social
当 代 社 交 >
Late 2019
Photoshop & Illustrator
<The Curator 盗 图 怪 >
<The Goodlifer
生 活 美 好 人 >
<The Imposter
摆 拍 怪 >
<The Selfier
自 拍 怪 >
I
found this sex doll
without genitals on Amazon.
It certainly has no function as a sex doll,
it’s not even pleasantly designed.
It’s creepy,
poorly made,
smells of plastic,
and serves no function.
Who made this awkward thing
and
for what reasons?
An inflated doll smiling and smelling,
innocently mocks
the world of consumption.
I ponder
and click buy-now.
These are characters from
stock images and google searches,
with the up and most pretentiousness,
portrait the characters we've become
in the age of online socialization.
Other items in this place
are of similar quality：
$5 Trump head stress ball,
cheap candy-filled Coke bottles,
colored masking tape flimsily holding a roll of packaging air pillows on the wall, etc.
They're horribly shaped,
full of acne and residue.
Colgate smile but melting,
the subtle irony.
These are the items we leave behind:
the quickly purchased,
squeezed,
talked about,
and abandoned.
They valued close to nothing but a gag.
"I don't get it..
看不懂。。
In the corner of the room,
a screen playing grainy old
Coca Cola ads
loops to the sound of
slow soothing 90’s Pop remixes
in foreign languages,
“歌 詞 が 何 を 言
っ て い る の か わ か り ま せ ん が 、
か っ こ い い で す ね …”.
Cola bottles open and
young beautiful people fool around
a city fountain in slow motion.
Forgotten,
cliched music and videos
of the fast consumed past
are reassembled by basement gurus,
to become again the groove
of modern-day Peter Pans.
I borrowed an
outdoor heavy-duty light
from my 70-year-old landlady
to light the room.
The light is warm,
powerful,
and produces
an immense amount of heat.
The smell of melting candy
and plastic
mixes with
the hot air to create
an ambiguous ambiance.
The happy stiffness
(or maybe lack of oxygen),
induces a self-convinced
psychedelic head spin.
The wall-mounted writing
takes an aggressive approach
to the English language.
It tells a story of
the aliens amongst us
and deems all fashion
unworthy of existence.
Only the Abusive Common
is supreme and shall save us all
– in vulgar and broken English.
Picture an arrogant toddler
speaking down to popular culture
as that of tossed away trash.
Toddlers speak crudely,
ascending or descending
the seriousness of the context
to another dimension
of feather and grasp.
The numbly happy toys,
subsumed by grainy but soothing sounds;
plastic and candy smells,
warmth,
and hugging.
Stepping into the room
feels like dropping into
a ball pit full of melting cotton candy.
Inappropriate,
but sweet,
sexy but sticky.
It is terrible,
but isn’t it seductive?
In the end,
I’m no longer certain
to be mocking or embracing consumption.
Once I lay on the floor,
I gradually become soft and vague,
I deflate like a sex doll,
joyfully smiles.
"Click buttons→
to turn page,
OK?
点右边的按钮可不可以？