Welcome
to Day Day Key's hideout
Season 2 - Eastern Day Dream
欢迎
来到祁天天的互联网山洞
第二季 — 东 方 白 日 梦
再一次，
我陷入了摆弄和徘徊的习惯。
思想在被巩固之前不断地被审视、
压扁、重建。
每次它都变得更加难以识别却美丽，模糊而精致。
I ask, who made this beautiful mess?
Who grow it on me and
keeps growing?
Although I have to
stop at some point.
It’d rather be the temperature of the graphics card
that fans can’t cool,
than my blood permeated eyes exhausted by beauty.
Once again, I fall for the habit of fiddling and shifting.
The thoughts are constantly examined, squashed, rebuilt before they are solidified.
Each time it become more unrecognizable yet beautiful, vague but refined.
Frame rate sore,
so I rest assure
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it isn’t perfect,
but it isn’t my fault.
It was a gallery, but slowly, it becomes the landscape behind the white wall;
landscape that made of organism, that bares a fruit;
fruit that looks like a landscape but floats like a river;
a river that made of simulated randomness by pages of logic and fifteen texture map.jpgs.
Glad,
the internet
brought you here.
我非常抱歉，
由于一些不可抗力，
从中国大陆访问这个网站会异常的缓慢。
建议使用一架梯子。
"Emm, here!
Quite technical!
额，看这个这个，
挺技术性的！"
<Numeric Garden 数 字 花 园 >
Mid 2019
Made with UE4 and Gravity Skecth
这是一个画廊，但是慢慢地，
它变成了白墙后面的风景。
由有机物构成的景观结出了果实；
看起来像山却缥缈地像河流；
由成页的逻辑和15个纹理贴图.jpgs
随机性模拟而成风景。
我问，
是谁制造了这个美丽的烂摊子？
是谁让它在我身上生长并继续着？
虽然我必须在某个时候停下来。
我宁愿是风扇无法冷却的显卡温度， 也不是我充血的眼睛
被美丽消耗殆尽。
直到帧率颤抖，我就可以安心
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虽然不完美，
但也不完全是我的错了。
<Price to Respect
尊 敬 的 代 价 >
Late 2018
44*59cm
150 limited prints
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这幅画中的人物身上
插满了针灸使用的针，
而所有针都不在穴位上。
针孔流着血滴落在地板上。
他手举一个喇叭，
喇叭里是人民币的声音。
然后，
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The figure is porcupined
with full of acupuncture needles,
but none of
the needles are on the acupoints.
Thus he drips blood
on the floor.
While still crawling forward with a horn in his hand, that listens to
the sound of RMB
(Chinese currency).
!
<Everyever Acupuncture 时 间 针 灸 >
06 2020
100*178cm
100 limited prints
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"Acupuncture I know！
Saved my back
这个是针灸，我知道！
我的背就是针灸弄好的"
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Later, I was persuaded by a friend to change its name to "Sauce Dry" (same pronunciation with "Measure Noise",
but of direct association to sauce thus "more in touch with people", so said),
because she was worried that "Measure Noise" was too elegant.
It then became a mediocre craft beer brand
because of the new name was already registrated with authority. It later went bankrupt due to
poor management
(and a poor name).
Later,
I realize she was probably interested
in cooking but not fashion.
What an idiot I was...
降燥是我曾经想要做的中式 高端街头服装品牌，
在进行视觉设计时我尝试对
中国古典美术与哲学进行了市井
而现代的再理解。
后来被一位当时交往甚密的女性
朋友说服改名“酱燥”
因为担忧“降”字太过于雅。
而后由于已经改名“酱燥”
而进入了啤酒行业成为一 个泛善可陈
的贴牌精酿啤酒品牌，
后因疫情冲击而倒闭。
"Measure Noise" was
the high-end Chinese streetwear brand I once wanted to create.
I wanted to bring traditional Chinese art
and philosophy to
modern street culture,
which no one was doing (well)
at the time.
<SauceDry Beer Brand
酱 燥 牌 啤 酒>
Early 2019
天天诗集
是我自2016年左右
起的随笔、诗作的收集，
它的视觉风格取灵感自互联网流浪体验，
充满了有趣的互动元素和假消息，
时刻提醒读者这是一本来自21世纪的令人激动的读物。
我预计将于2021年完成
它的内容和设计。
这里先从我的朋友圈节选几首小诗
各位可以先赏为快：
<Day Day Poems
天 天 诗 集 >
Early 2019-now
（On going）
后来
我时常
懊悔地
回想...
或许
过于雅并不会成为
一个问题
Later
I often
regretfully ponder:
there probably isn't such a thing as
too elegant
O
N O
N O
The Day Day Poems is a collection of essays and poems inspired by
the Internet browsing experience.
It is full of interesting useless contents and fake news. It constantly remind the readers that this is an exciting book from
a catastrophe of the electric age.
Oh and the poems, my poems.
Here a few selected tasters
from my wechat posts:
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<Modern
Social
当 代 社 交 >
Late 2019
5*5cm*4 sticker set
limited 1000 sets
!
<The Curator 盗 图 怪 >
<The Keyboarder 键 盘 侠 >
<The Imposter
摆 拍 怪 >
"me too!
我也是！"
<The Selfier
自 拍 怪 >
<This site is a winner of 2018 Wix Stunning Awards
此网站是2018年Wix闪耀奖的得主>
Late 2018
<A screenshot of a 360 video of my room while I was Playing a
spy in mini drama for an online theater branding demo
一 张 我 曾 经 试 图 在 我 的 房 间 里 表 演 一 个间 谍 小 短 剧的 3 6 0 度 视 频 的 截 图 >
VR Performance
2018
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At that time,
my teacher was
mildly upset of this piece
for three reasons:
1. Overlay;
2. Cross as reference;
3. I left a tooth mark on her pen while borrowing it.
(My bad)
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当时我的美女老师对这一份作业感到轻微的愤怒，
她愤怒的点有三：
一、遮挡；
二、十字架；
三、我借她的笔时在笔头留下了牙印。（我的）
<Movie Club Poster
电 影 社 海 报 >
Late 2018
137*205cm
< A Movie Poster
一 张 电 影 海 报 >
Mid 2018
80*120cm
<Fast Food Slow Eat
快 餐 慢 食 >
Mid 2019
70*112cm
Modern people (me) continue to be fed small plastic things by the Internet and feel
very happy.
现代人（我）被互联网持续 地喂食充满塑料感的小东西，并且感到很开心。
<Real Picasso play basketball like KUN CAI
真 正 的 毕 加 索 玩 篮 球 都 像
蔡 徐 坤 >
Mid 2019
23*33cm
Sigmund Freud snorting a tube of information.
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"are these
my babies?
这些诗我的北鼻？"
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"omg these poems are so good, make me wanna jump ！
这 些 诗 好 棒呀，
我都要跳起来了！"
”talking
about
me?
说我吗？"
"Punk
朋克"
"wonder how many likes I'd get from posting this site..
不知道po一下这个网站
会有多少赞。。。"
"what a punk, poems?
Must be joking
鬼迷日眼的，
这也叫诗？"
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当时中国流行歌星蔡徐坤因篮球表演太娘而广受嘲笑。
但事实是，
任何形式的创新都
可能会带来嘲笑。
坤，没事，娘他的。
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<Wild Rabbit Logo
野 兔 子 标 志 设 计 >
Late 2017
天堂是什么样的呢？准确的来说是电子天堂。
免死亡，只需要VR眼镜和GTX1080就可以体验。
<Super
Sports
Car
超 级 跑 车>
05 2020
76*127cm
300 Limited Prints
弗洛伊德在吸一管信息。
<Duchamp with Naked Men
杜 尚 和 裸 男 >
2019
"That's not a sports car...but why dose it name like that..
there must be a reason or can it be a doubt on the meaning of reasoning itself...
or...
那不是一辆跑车。。
为什么名字是跑车呢？
肯定有一个原因，或者，难道是！对原因的质疑！不对。。"
"Shorts?
What a disgrace
短裤？太不雅了"
"what was I doing here..
what did I had for lunch..
我在这干啥。。
我中午吃的啥来着。。"
"noway I wear that goggle, what if it kills me...
老子才不看，看死了咋个办"
<Post-Modern Design
China Post Stamp Design
中 国 邮 政 后 现 代 设 计 >
Early 2018
中国邮政后现代设计邮票设计的主体借用了福禄寿三仙的经典中式后现代象形建筑设计的形象，辅助以广场舞大妈和塑料贡品，整体风格间而不失欢快，表达了艺术无边界
（随意）、万事成立（随缘）的
后现代派（佛系）思想。
The stamp design borrowed
the image of
the infamous architectural design of the Fu Lu Shou Hotel,
supplemented by the Tai Chi aunties and plastic peaches. The overall depiction is then doubtfully happy and cheesily elegant.
What happens when when we reach heaven? Particularly,
a digital heaven.
No dying required,
VR goggles and GTX1080 shall suffice.
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<Digital Heaven VR Experience
电 子 天 堂
虚 拟 现 实 体 验>
Late 2018
<Handsome & Wholesome Lad
靓 好 青 年>
Early 2017
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<MOMA/Why no Metro brochure
当 代 艺 术 馆 为 什 么 不 坐 公 交 车 宣 传 册 >
Early 2018
2-sides foldable
<Last Minute Collage 上 课 前 一 个 小 时 随 便 搞 搞>
Early 2017
为什么当代人不喜欢坐公交呢？
这是一个收集民众意见的小宣传册。
正面以矢量大胸妹来传达一种LA气 质。
背面是由LA公交车上的小东西拼贴 成的一副小画来填补空白的尴尬。
Why don’t LA people take
the bus?
This is a small brochure for public opinions.
On the back is a small picture collaged from small things on the LA bus to fill the
blank space with something.
<Measure Noise Fashion Brand
降 燥 时 装 >
Early 2019
to do list：
3，finish 主页的layout
3.2, 主页的proof read
3.5，主页sidedressing
3.7，主页的animation
4，加一个很chill的背景音乐+button
5，双语button
6，去掉商店，整修介绍页
7，整修archive
At the time Chinese pop star Kun Cai was widely mocked for his basketball dance to be too girly.
The truth is,
there comes mocking with any kind of rule breaking.
Kun,
it's ok,
girl it up!
"I had a dream last night, in which I was Jim the third and I drove my super sports car Mercedes- Benz S600, envious of my age, light people around me, fashionable girls cast longing glances at me, but how intoxicated I am in my sports car, disdain girls and chest. I am running, Mercedes is in the field of hope! Do not hesitate,
Don't hesitate,
Follow the dazzling light in your heart!"
“昨晚我做了一个梦，梦 里的我是金三胖，我开上了超级跑车
奔驰S600，羡慕我的年 轻人围绕着我打转，时尚 的少女向我投来渴望的目光，可我是多么沉醉于我的 跑车，不屑少女也不屑胸 膛。我奔驰，奔驰在希望 的田野上！不犹豫，
不彷徨，
追随心中那耀眼的光芒!”
<Words meaning less
语 言 意 义 趋 小 >
Late 2016
15*15cm*2
1000 limited prints
在如今的（美国）政治舆论环境中，
语言的意义越来越小，
以至于第八课士大夫智能型出口是欧文莱那么热科学家炒鸡蛋。
In today’s political environment, the meaning of language is getting less, so that in the eighth lesson, the intelligent export of scholar bureaucrats is the scrambled eggs of scientists so hot as Irving.
<Dali with a Sloppy Nose
达 利 流 鼻 涕 >
2016
"Look at that as
看，那有个好屁股"
There once was
a troubled girl missing a boy of
golden curly hair.
<Two vector drawings when illustrator still supports pen pressure
当 A I 还 支 持 笔 刷 压 力 的 时 候 >
Mid 2018
<Forgotten
Christmas Promo
忘 记 了 圣 诞 >
2019 Christmas
iPad Pro
<Poster for a Club Downstairs
一 家 楼 下 俱 乐 部 的 海 报>
Mid 2020
一张忘记发了的圣诞节推送。
A Christmas pomo that I forgot to post.
Words*&^%$#!
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<Spam Gallery Promo
刷 屏 画 廊 招 贴 画 >
Late 2019
Not for Sale
刷屏画廊是一家我研究生毕业 时想开的画廊，谁知道我后来发 现我并不喜欢当老板。画面中，
云彩上忧郁的狗狗拉出的狗屎在半空中就变成了金子掉在桌上，
整体吸睛怪诞。
<Explosive Within
本 质 上 的 爆 燥 >
2020/6/26
100*184cm
1 Print
<Poster with the intention of experiment with my Sloppy Brush
Typography
实 验 我 的 鸡 脚 字 的海 报 >
2018
这是为深圳韩先生的新家定制的中堂大画。在中式命 理学说中，火和木旺他，
故以火和木为主题作画， 表达了他生来就是要打破枷 锁烧世界的含义。
祝他余生旺如火。
此画只打印了一张，原文件已被销毁。
This is a large painting customized for Mr. Han's new home in Shenzhen. In the Chinese Fengshui theory, the elements of fire and wood prosper him, so the painting is created with the theme of fire and wood, and the meaning of "he was born to break the shackles and burn the world". I wish him prosperity for the rest of his life. Only one copy of this painting has been printed, and the original document has been destroyed.
Spam Galleries was an Internet focused Ad agency I wanted to when I graduated from graduate school. Who knew I later discovered that I didn't like being a boss. In the picture, the shit pulled by the melancholy dog on the cloud turned into gold in mid-air and fell on the table, the overall style is weird but eye-catching, just like the Internet.
<Science of Correct
正 确 的 科 学 >
Early 2019
这是为了一节名为“科学与未来科技”的课创作的留念作品。那堂课的老师是一个来自JPL的中年科学家，他在面对这群年轻设计师时充满了对革命小将的畏惧而时常太过于用力的追求政治正确以至于持续而完全地搞砸讲课内容。这是一副对那位受惊老师的讲课内容进行的一个画面上的描绘。不知道他在收到画时作何感想。
This is a souvenir work created for a class called "Science and Future Technology". The teacher in that class was a middle-aged scientist from JPL. When facing this group of young designers, he was full of fear of revolutionary teenagers, thus he often tries too hard to pursue political correctness to the degree of continuously and completely mess up the lectures. This is a pictorial depiction the lectures of the frighten teacher. Maybe he'd smile when he received the piece.
<Tiltbrush sketch#2: an entrance to heaven
草 稿 二 ：天 堂 入 口 >
Late 2017
<Abusive Common: Experimental Branding
虐 玩 日 常 ：试 验 品 牌
June 2017
<Context and Formality
形 式 与 意 义 >
Mid 2020
There shall be both of context and formality before anyone is bald or (what's that hairstyle?)
形式与意义最好同时存在，不然会秃顶或（秃顶的反义词叫什么？)
~~grab~a~snack~~~~~~~~
"what a lad, bravo!"
I'd borrow an important concept in Chinese spacial design - "scene changing by step". The ancient artisans strive to achieve the state of ever-changing but always-balanced harmony in a space, by the introspection and immersion of oneself with the space. The same concept and appreciation for craftsmanship is still applicable today.
只是森林下的一个种草人罢了。
”不知道，乱搞的吧，
雅俗共赏呗“
“Is that even good?"
这些创新与我所受的设计教育时常相悖。
现代派设计教导我们把设计对象当做商品，
把空间当做商店。
而我止不住地修饰它像培植一个花园。
在花园中，
这些作品不再是聚光灯下的物件，
而不过点点点缀。
这个网站借用了中式景观设计中很重要的一个概念 — “移步换景”。
古代的匠人通过与环境融为一体和反思来达到一个空间中的丰富变化与和谐美满。
追求“移步换景”的美好和匠人心情在今天同样适用 — 如果我们不被贪婪掣肘。
在物质相对匮乏、
信息流通手段相对单一的古代，
欣赏艺术是相对奢侈的。
而在今天，
每个人都能够接触到的手机或电脑屏幕中，
艺术被赋予了大量复制和广泛传播的能力。
在实体艺术中被普遍追求的阶级感在电子时代或许已经不再是艺术赖以生存的关键价值。
随着我们一脚踏入话语权逐渐分散的虚拟时代，
包容性和去中心化成为新的时代主题
— 艺术是属于每个人的，而不被精英独占。
更广的欣赏群体对艺术也提出了更高的要求，
既在感官和意义等多种欣赏维度中创造和实现和谐，
这样艺术品就可以被所有人欣赏在不被偏见蒙蔽
— 无论是走马观花还是驻足细看，都可以各取所需。
对于创作艺术的个人而言，
这样的审美去中心化也成了“中庸之道”的回归
— 追求完美的平衡，于个人或于创作。
此致，
我被自己的渺小惊醒，
是谁可以如此夸夸其谈？
At the beginning of my design of this website, I simply thought that the modern design principles come with limitations caused by ”money" or "efficiency", so I made some tentative innovations.
These innovations often contradict my educations. Modernist design teaches us to treat objects as commodities and spaces as stores. But, intuitively I can't help but continuously muse my works like planting a garden. In the garden, each piece is a small piece of grass instead of a spotlight-shined good.
In the ancient times when materials were relatively scarce and the means of communications were relatively simple, appreciating art was relatively extravagant. Today, in the screens of mobile phones and computers that everyone can betouch, art is endowed with the ability to replicate and spread.
As then, the sense-of-class generally pursued by artists may no longer be the key value of art in the electronic age. Inclusivity and decentralization is becoming the new theme, as we stepping into virtuality — art is no longer appropriated by the elite, it belongs to everyone.
A widen range of creators and audiences has varied the standard of art. To achieve harmony in a multitude of appreciations, such as sensory and meaning, becomes a key, so that the artwork can be enjoyed without the monopoly of prejudice - wether glimpse or stopping, by the choices of eachs' own.
For creators, it is a comeback of pursuing "the golden mean" - seek for the perfect balance, for oneself and the creation.
I'm then awaken by my own insignificance. Who am I to spiel grandiose?
As a grass planter, under the forest.
