Facing a formality world,
formality is a part of the opinion.
##<Garden of WWW
VR space
万 维 网 花 园 虚 拟 现 实 空 间 >
Mid 2019
UE4, Gravity Sketch
An attempt to rethink gallery, while 3D and VR technology is employed. New possibility emerges when the physical limitation such as space, construction, texture, and scale is lifted. It becomes a garden, reflective of my - symptoms.
亲爱的我可能是个憨批
把语言当成儿戏
折成一片片飞刀
就要用力飙出去
但是挥手太猛
插在了脊椎里
搞得硬梆梆
弯都弯不下去
##<腰上的毛病>
（word to word translate:
Dear me might be an idiot,
playing language like a child,
fold them into knives to throw,
throw with force,
but I swing too hard,
they stuck in my spine,
I can hardly bend.）
Due to the nature of the material, it looks like a computer 3D object but physical, where depth and unusual textures are embedded in a glass-like bed. On the surface, it's smooth and flat, contradicting the visual perception, creating disbelieves.
I collapse like a deformed pork brain while hooked to a mother board. Information, stimulation, biological dissonance.
Luckily, at least, deform no more, thanks to molecular science - plastic.
##<Porkputer
猪 电 脑 >
Mid 2020
Epoxy Resin, acrylic, objects
45cm*45cm*8cm
##<Solidifying Void
固 化 空 白 >
Mid 2020
Epoxy Resin, acrylic, objects
95cm*95cm*7cm
In the stereotypical red, green, and gold “traditional Chinese” scene is a China-made cheaply shoe in the middle with a mouth opened to cables connected to things - iPhone, “stay woke”, Anime, 3D glasses, punk rock, even Jesus.
Tracing back to the events of WWII and a series of revolutions, the cultural lineage of the long lasted Chinese has been largely lost, creating a void. On the road to rebuilding its substance, the void soaks everything around it.
The esteem of “the Center Nation” is faintly remembered in the scribble of Chinese but little can be done other than desperately soaking and cross-breeding, in the process creating a massive post-modern culture - vague, dazzling, a manufactured storm roaring and roaming with implacable force and immature complexity.
你的宾馆对我打了烊
十二点前要退房
带走塑料牙刷
环保不要悲伤
##<眼泪与责任>
（Ethos: After leaving a hotel, I bring the plastic toothbrush with me to ease the sorrow of leaving with environmental awareness. Yep?）
信息和科技已经成为了我们新的大自然。它成就了我们的美好生活的同时，也在带给我们新的问题。我认为有必要去批判地看待这些问题。
但是作为这个时代和系统的受益者，我不能站在信息和科技的对立面。我在进行批判的同时，不自觉地暧昧了起来。
这种摸棱两可的态度和含糊地表达，逐渐在画面中由信号的穿插交错形成了意义层面地抽象。
Information and technology has gradually become our new nature. Providing a wonderful modern life while enrolling new and serious problems. We should look at these problems critically.
Although, as a beneficiary of the time and system, I could not stand wholeheartedly on the opposite side of the new nature. I gradually become ambiguous.
The ambiguity of standing and expression, resulting in the interweaving of signals to become abstract in the level of meaning.
<大餐 Feast>
关于社交媒体作为现代生活中主要社交途径的讨论和展示。野餐不再是单纯的在野外进餐，在被发布上网的同时也成为了一种营养丰富的虚拟进食。
A display and discussion of contemporary lifestyle that involves social media as major means of social interactions. A picnic is no longer only in the literal sense but posted on the net to become a dine of virtual appreciation.
100cm*100cm*5cm
Epoxy resin, acrylic paint, a shoe,
a pair of 3D glasses, an iPhone 5s,
Ping-Pong balls, etc
2020
<塑料母亲大自然 Mother Plastic Nature>
从一具橡胶性爱玩具上取下的胸部、手指、嘴、鼻子构成了大自然母亲的新肖像。
A pair of breasts, fingers, mouth, nose from a sex doll becomes a portrait of mother nature.
100cm*100cm*3cm
Epoxy resin, acrylic paint, plastic fingers,
a pair of breasts from a sex doll, etc
2020
<低音 Bass>
写有模糊粗俗语言的避孕套从时钟中飞溅而出。
Condoms spill out of the clock with vulgar words vaguely written on them.
100cm*100cm*5cm
Epoxy resin, acrylic paint, baseball bat, clock, condoms, etc
2020
#wip
<回收一条鱼 Recycle a Fish>
这条鱼是一只陪伴我多年的笔袋，在她生命周期的终点，被枪支残酷地肢解，在她的尸体周围已然已经存在一个属于她的坟墓，周围也长出了塑料的小草。这场不足为道的杀戮场景在被定格的同时成为了自然的一部分，嫣然兴兴荣。右下角一个少女正在吃寿司，
感叹道 “Yum”。
A fish-shaped pencil bag has accompanied me for many years, until it was brutally dismantled by paper guns at the end of its life cycle, next to a tomb that belongs to her, where plastic grass grew. The final moment of brutality has seemingly become a part of this flourishing plastic nature. At the bottom right corner, a girl eats sushi and exclaims, “Yum.”
100cm*100cm*3cm
Epoxy resin, acrylic paint, a fish-shaped pencil bag, stickers, paper cut-outs, etc
2020
#wip
<妈和爸 Mom and Dad>
一对肖像。
A pair of portraits.
120cm*40cm*3cm *2
Epoxy resin, acrylic paint, teeth mold,
ear molds, TV remote
2020
<猪电脑 Porkputer>
一个猪电脑的主要部分：一个猪脑，在即将被定格在画面中的时候爆炸了，或许是因为冗余的信息超过了猪脑的承载上限。所幸这个瞬间已经在环氧树脂中定格，正在爆炸的猪脑将免于腐败。
45cm*45cm*10cmEpoxy resin, acrylic paint,
a pork brain, a motherboard, cables, etc
2020
One of the main components of a porkputer is a pig brain, which here has exploded while being sealed into the frame, maybe due to the amount of information exceeding the pig brain's baring limit. Luckily, the moment is successfully sealed in resin, the exploded pig brain will not experience further decay.
<游泳人 Swimmer>
一些五毛硬币通过红色的游丝被钉在了游泳者的手上。在浑浊水体的底部，躺着一些百元钞票，但是游泳者似乎无法察觉。
Some 50 cents Yuan coins are nailed into the swimmer's hand with red strings, while beneath the surface at the bottom of the haziness, there lay 100 Yuan bills, which can not be noticed by the swimmer.
35cm*35cm*70cm
Epoxy resin, Hand mold, Nails, Chinese cash, etc
2020
